It has been reported that a virtual recreation of key areas in Melbourne Park, including the Rod Laver Arena and Grand Slam Park, will be open for the duration of the Australian Open tournament, which ran for a fortnight beginning on Monday.
However, the event includes exclusive content for virtual visitors, including behind-the-scenes footage from over 300 cameras around Melbourne Park, including the exclusive player arrivals area and the practice village.
The report said that as well as broadcasting LIVE footage and AO radio, it will also feature archival footage from tennis matches dating back to the 70s and virtual meet-ups with tennis players including Mark Philippoussis, with other players yet to be confirmed.
Ridley Plummer, Tennis Australia NFT & Metaverse Project Manager, said in a virtual welcome address on Decentraland that he hopes for the AO to become the “world’s most accessible and inclusive sports and entertainment event.”
“With the unique challenges fans have faced getting to Melbourne, we’ve fast-tracked our launch into the Metaverse. Taking the AO into the Metaverse is an important step to provide truly global access to our great event.”
Likewise, this is especially pertinent given travel restrictions due to the COVID-19 pandemic, making it very difficult for many fans to reach Melbourne to view the event in real life. The 2021 AO faced a range of challenges, including a historically low number of on-site spectators and lockdown restrictions.
“We’re in it for the long term. The Metaverse is not going anywhere, and as a company, we’re invested in continuing to grow our online presence and push the boundaries of innovation.”
He also added that Tennis Australia is exploring the possibility of a year-round property in the Metaverse.
Plummer further stated:
“We definitely think of ourselves more as an entertainment event rather than just a tennis event. Whether we're providing entertainment via the metaverse twelve months of the year or only a few months of the year, that's definitely a decision to be made in our roadmap going forward.”
On January 17, the AO also announced it would be teaming up with NFT platform Sweet to release six NFT collections commemorating the last five decades of the AO. The collections will be released intermittently between January 17 and 27 to coincide with the tournament.
Tom Mizzone, the CEO of Sweet, said that the NFT release demonstrates a “truly new level of access” for fans to get a glimpse into the world of their idols.
“We love this idea of turning IP into digital memorabilia and tying that memorabilia back to an experience. The idea that the AO designed an umpire chair that had never been seen before and now tennis fans can own and display that umpire chair as an NFT is just amazing.”
Moreover, separately, the AO launched a collection of 6,776 algorithmically created “Art Ball” NFTs on OpenSea on January 12. According to Plummer, the collection sold out in three minutes following the public drop with a price floor of 0.26 ETH (around $875) and a trading volume of 223 ETH ($751,287).
Tennis Australia has leased the virtual land from Vegas City, a company that owns large areas of the metaverse.
Thus, the AO has already had its share of drama, with an Australian court dismissing Serbian tennis star Novak Djokovic’s appeal against a deportation order.